21
SCENARIOS - Groove Compression
18
1,5
3,0
5,0
12
16
20
1,0
2,0
4,0
6,0
8,5
9,5
11
14
7,5
1,0
1,5
2,0
16
18
20
3,0
4,0
5,0
6,0
7,5
8,5
9,5
11
12
14
Soft Clip
Gain Reduction
MS Mode Active Channel Link
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
SC Freq
Hz
30
40
50
80
280
340
430
2k0
3k3
EQ Gain
Lo
2,7
2,2
1,6
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
Mix
Dir
10
%
20
30
60
70
80
90
Com
100
50
Gain
0
0,5
dB
1,5
2,0
4,5
6,0
8,0
10
12
11
3,5
EQ Freq
Hz
20
22
30
40
140 170
500
220
300
2k0
1k0
SC Gain
dB
LP
-12
-5
-2
-1
-0,3 -0,3
-2
-5
-12
HP
EQ Gain
Lo
2,7
1,0
0,3
1,6
2,2
2,7
Hi
dB
0,3
Thresh
+20
+18
dB
+15
+11
0
-3
-6
-9
-13
-12
+4
Attack
0,01
2,0
ms
7,0
13
28
50
70
110
150
130
24
Release
60
75
ms
100
150
430
570
800
1k1
1k8
1k5
300
Ratio
1,1
1,2
1:X
1,3
1,4
1,7
1,8
1,9
2,1
2,4
2,2
1,6
Soft Clip
25
24
dB
21
19
14
11
8,0
5,5
3,0
16
4,0
SC Freq
Hz
30
40
50
80
280
340
430
2k0
3k3
500
800
Groove Compression
Sometimes it would be great to be able to just emphasize the rhythmical
elements of a mix in order to bring out the groove and therefore giving
the track the right kick.
The gure shows how the alpha compressor can help you to cope with
this challenge. The bass drum is used as a trigger for the compressor;
therefore the Sidechain lter is of special importance in this application.
It is set to Low Pass, with a center frequency of approx. 70Hz.
Now the Threshold and Ratio controllers are used to set the intensity
of the Gain reduction, and the groove will be controlled by the Release
parameter, which has merely to be adapted the speed of the track.
Depending on the song and the style of music the Gain reduction can be
higher by all means; usually 5-6dB will do very good.
The linked MS mode makes sense for this application, because the inu-
ence of the bass drum on the control mode is enhanced as well as the
resulting sonic eect.
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